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| 表面の説明 | ログイン して詳細を見る |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Printed entirely in dark green on a pale guilloche underprint, the reverse is dominated by a large central intaglio vignette of a woodcutter in full swing of his axe amid a dense forest, drawn after a composition by Ferdinand Hodler. The vignette is enclosed within an ornate lace-pattern border with denomination numerals at each corner; the bank name in German appears in a panel at the top and in French at the bottom, with the Italian name lettered vertically on both side panels. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | 01.04.1924 - Usteri / Bachmann / Bornhauser 01.04.1924 - Usteri / Schnyder / Bornhauser 01.04.1924 - Usteri / Burckhardt / Bornhauser 30.09.1926 - Usteri / Bachmann / Bornhauser 30.09.1926 - Usteri / Schnyder / Bornhauser 30.09.1926 - Usteri / Weber / Bornhauser 23.11.1927 - Sarasin / Bachmann / Bornhauser 23.11.1927 - Sarasin / Schnyder / Bornhauser 23.11.1927 - Sarasin / Weber / Bornhauser 25.09.1929 - Sarasin / Bachmann / Bornhauser 25.09.1929 - Sarasin / Schnyder / Bornhauser 25.09.1929 - Sarasin / Weber / Bornhauser 16.09.1930 - Sarasin / Bachmann / Bornhauser 16.09.1930 - Sarasin / Schnyder / Bornhauser 16.09.1930 - Sarasin / Weber / Bornhauser 21.07.1931 - Sarasin / Bachmann / Bornhauser 21.07.1931 - Sarasin / Schnyder / Bornhauser 21.07.1931 - Sarasin / Weber / Bornhauser 27.08.1937 - Schaller / Bachmann / Blumer 27.08.1937 - Schaller / Rossy / Blumer 27.08.1937 - Schaller / Weber / Blumer 31.08.1938 - Schaller / Bachmann / Blumer 31.08.1938 - Schaller / Rossy / Blumer 31.08.1938 - Schaller / Weber / Blumer 17.03.1939 - Bachmann / Schnorf / Blumer 17.03.1939 - Bachmann / Rossy / Blumer 17.03.1939 - Bachmann / Weber / Blumer 03.08.1939 - Bachmann / Schnorf / Blumer 03.08.1939 - Bachmann / Rossy / Blumer 03.08.1939 - Bachmann / Weber / Blumer 15.02.1940 - Bachmann / Schnorf / Blumer 15.02.1940 - Bachmann / Rossy / Blumer 15.02.1940 - Bachmann / Weber / Blumer 12.12.1941 - Bachmann / Schnorf / Blumer 12.12.1941 - Bachmann / Rossy / Blumer 12.12.1941 - Bachmann / Weber / Blumer 01.10.1942 - Bachmann / Rossy / Blumer 01.10.1942 - Bachmann / Weber / Blumer 01.10.1942 - Bachmann / Hirs / Blumer 07.05.1943 - Bachmann / Rossy / Blumer 07.05.1943 - Bachmann / Weber / Blumer 07.05.1943 - Bachmann / Hirs / Blumer 16.10.1947 - Müller / Hirs / Blumer 16.10.1947 - Müller / Rossy / Blumer 16.10.1947 - Müller / Keller / Blumer 20.01.1949 - Müller / Hirs / Blumer 20.01.1949 - Müller / Rossy / Blumer 20.01.1949 - Müller / Keller / Blumer 29.12.1955 - Müller / Schwegler / Kunz 29.12.1955 - Müller / Keller / Kunz 29.12.1955 - Müller / Motta / Kunz |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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The sheer number of signature combinations here — over fifty across three decades — reflects the SNB's strict practice of triple-signing its notes, requiring the president, vice-president, and cashier to each authorize every dated issue. That bureaucratic thoroughness is what drives the collector complexity of this series. The design itself originated with Ferdinand Hodler, the Bernese-born symbolist painter, an unusual choice of artist for a central bank; Hodler died in 1918, meaning he never saw his work reach print in this form.
Waterlow & Sons produced the plates in London throughout the entire run. Notes dated 03.08.1939 were authorized four weeks before the Swiss Federal Council mobilized the army — that date carries weight.