目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | To the centre-right, an intaglio portrait vignette of a young Malagasy woman wearing a wide-brimmed straw hat and a white shawl, set against a fine floral and botanical underprint with guilloche patterning. The denomination "50" appears in large numerals at upper left and upper right, with the bank title across the top and the value "CINQUANTE FRANCS" in bold letterpress at lower centre. Two facsimile signatures appear at the bottom, attributed to the Contrôleur Général at lower left and the Directeur Général at lower right. |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | At centre, an intaglio vignette of a Malagasy man wearing a hat, set before a scenic background with a river, a boat, and a village, all framed by an elaborate botanical border with tropical foliage motifs. The denomination "50" appears at upper left, with the bank title and anti-counterfeiting warning legend arranged around the central vignette. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Banque de Madagascar et des Comores was a colonial institution established in 1950 when the earlier Banque de Madagascar was reorganized to formally incorporate the Comoros Islands into its mandate — a purely administrative reshaping that changed the letterhead more than the banking practice. Clément Serveau designed extensively for French colonial currency throughout the mid-twentieth century, with Banque de France producing the plates to a consistently high intaglio standard. Poilliot and Régnier were both accomplished engravers within that atelier, their division of labor across obverse and reverse being routine for the period.
The series ran across a decade without significant design revision, which occasionally makes precise dating within the 1950–1960 window difficult where manuscript dates are faded or absent.