目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | The reverse is printed in green on a brown-toned paper ground, dominated by two large circular guilloche medallions at left and center, each enclosing a classical portrait head in profile. The three trilingual denomination inscriptions are arranged horizontally across the central field, surrounded by an elaborate repeating border of interlocking numerals 50. Four corner cartouches, also containing the numeral 50, reinforce the denomination at each angle of the note. |
| 背面铭文 | 50 50 CINQUANTE FRANCS FÜNFZIG FRANKEN CINQUANTA FRANCHI 50 50 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Aargauische Bank was one of Switzerland's cantonal note-issuing institutions operating under the decentralized monetary system that persisted until the Swiss National Bank's founding in 1907. This note was issued during the final years of that plural system, when over thirty Swiss banks still held the right to issue their own paper currency — a situation that created real interoperability headaches and fueled the political push for consolidation.
Joseph Storck was a Vienna-based professor of decorative arts; his involvement here is unusual and suggests the bank commissioned designs with deliberate ornamental ambition. Albert Walch's collaboration on the obverse points to a division of labor between concept and execution that was common in high-end Austrian and German printing circles of the period.