Katalog
Vollständige Bilder anzeigen — kostenlose Registrierung
Mit Google fortfahren — kostenlos
oder mit E-Mail registrieren
Warum registrieren? Nur um Bots aus unserem Katalog fernzuhalten. Ihre E-Mail bleibt privat — wir geben sie nie weiter und senden Ihnen nichts Unerwünschtes. Das garantieren wir Ihnen!
50 Euros Fauna in Art - From Rococo to Macchiaioli
| Emittent | Istituto Poligrafico e Zecca dello Stato |
|---|---|
| Jahr | 2015 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Gold (.900) |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Detail from the Fountain of Diana and Actaeon in the Park of the Reggia di Caserta, depicting two hounds from the mythological scene in which Actaeon is transformed into a stag and set upon by his own dogs, after the sculptural group by Paolo Persico, Pietro Solari, and Angelo Brunelli — a celebrated example of Neapolitan Rococo. The legend REPUBBLICA ITALIANA appears in the field, accompanied by the engraver's signature A. MASINI. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | R Rome, Italy (476-date) |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Part of Italy's long-running "Fauna in Art" gold series, this 2015 issue draws on the Macchiaioli movement — a group of Tuscan painters active from the 1850s onward who rejected academic convention in favor of outdoor light studies, predating the French Impressionists by roughly a decade. The movement was largely dismissed by the Roman establishment during its peak years, which is part of the reason it remained obscure outside Italy for so long.
The series itself is a collector-market product from the outset, never intended for circulation.