Catalogus
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| Uitgever | Banco de Portugal |
|---|---|
| Jaar | 1953-1955 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | 50 Banco de Portugal 50 Cinquenta Escudos Ouro (Translation: Bank of Portugal Fifty Escudos Gold) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Portrait of Fontes Pereira de Melo |
| Varianten | Log in om details te zien |
| Opmerkingen |
Thomas De La Rue printed multiple generations of Banco de Portugal notes throughout the mid-twentieth century, and this 50 Escudos belongs to a long-running series that stretched across nearly a decade of issue dates. The "7th print, 1st type" designation reflects Portugal's practice of reissuing fundamentally identical designs with updated signatures and date ranges rather than commissioning fresh artwork — a cost-conscious approach that makes precise attribution dependent on the signature combination and date rather than any visible design change.
Pick 160 is common in circulated grades; high-grade examples are harder to place than their frequency suggests, as the note's relatively modest denomination meant heavy everyday use.