カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Portrait vignette of Francisco de Oliveira Chamiço at left, with the seal of the Banco Nacional Ultramarino at center. The denomination appears centrally, with the Portuguese National Coat of Arms below, all set within a guilloche-patterned border typical of Bradbury Wilkinson engraving. |
|---|---|
| 表面の銘文 | BANCO NACIONAL ULTRAMARINO + PROVINCIA + — DE — ANGOLA CINCOENTA ESCUDOS PAGAVEL NAS DEPENDENCIAS DA PROVINCIA DE ANGOLA (Translation: National Overseas Bank, Province of Angola, Fifty Escudos, Payable on the premises of the province of Angola) |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Banco Nacional Ultramarino occupied an unusual position in Portuguese finance: it was a private bank granted colonial note-issuing rights across Portuguese Africa, India, and the Pacific territories simultaneously. This 1921 issue was almost certainly destined for one of those colonial territories rather than metropolitan Portugal — BNU's domestic role was always secondary to its overseas mandate, and the Lisbon government's own Banco de Portugal held the mainland monopoly.
Bradbury Wilkinson handled a substantial portion of BNU's colonial note production during this period, a relationship that persisted across multiple territories and denominations. The London connection was purely practical: domestic Portuguese printing capacity for high-security intaglio work was limited.