Catalogus
Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis
of registreer met e-mail
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
50 Dollars
| Uitgever | Confederate States of America |
|---|---|
| Jaar | 1862 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Portrait of President Jefferson Davis at center, with engravers' names appearing above or below the FUNDABLE inscription at left. Printer imprint of Keatinge & Ball appears either for Virginia or South Carolina branch depending on variety. |
|---|---|
| Opschrift voorzijde | FUNDABLE IN CONFEDERATE STATES STOCKS OR TREASURY NOTES |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Confederate States issued multiple distinct $50 obligations in 1862, and the Pick 54 series reflects the Richmond government's ongoing struggle to fund a war economy with no meaningful specie backing and a printing infrastructure under constant strain. By mid-1862, public confidence in Confederate currency was already eroding — inflation had taken hold, and the sheer volume of notes being pushed into circulation compounded the problem with each new authorization from the Confederate Congress.
Cotton paper was a practical choice given the Union blockade's effect on regular paper supplies, though quality varied across print runs. Keatinge & Ball of Columbia, South Carolina handled significant portions of this series after engraving work originally executed in the North became inaccessible at the outbreak of hostilities.