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| Uitgever | Tesouro Nacional do Brasil (Brazilian National Treasury) |
|---|---|
| Jaar | 1963 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#179 |
| Beschrijving voorzijde | Violet intaglio and offset on polychrome underprint. A central vignette presents the portrait of Princess Isabel (Isabel Cristina Leopoldina Augusta Micaela Gabriela Rafaela Gonzaga de Bourbon-Duas Sicílias e Bragança) set within an ornate guilloche frame, flanked on either side by the denomination numeral 50. Printer's imprint and official Treasury inscriptions appear in the surrounding border. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | 50 REPÚBLICA DOS 50 LEI ÁUREA 50 ESTADOS UNIDOS DO BRASIL 50 THOMAS DE LA RUE & COMPANY, LIMITED, LONDON. (Translation: Republic of United States of Brazil Golden Law Thomas De La Rue & Company, Limited, London.) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Brazil's paper currency in the early 1960s was under severe strain — chronic inflation and fiscal deficits meant that notes were reprinted repeatedly as demand outstripped supply. The 'Valor Legal' overprint on this second printing was a formal legal-tender designation required under Brazilian monetary regulations, distinguishing Treasury-issued notes from those bearing Banco do Brasil authority.
Thomas De La Rue's London production is consistent with Brazil's long reliance on foreign security printers during this period, a practical concession to the limited domestic intaglio capacity available at the Casa da Moeda.