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| Uitgever | Royal Canadian Mint |
|---|---|
| Jaar | 2001 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Ch#RC-727, KM#423 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | CANADA 50 CENTS ELIZABETH II |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Reeded |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The "Festival of the Fathers" half-dollar was part of Canada's millennial and early 2000s commemorative program, which the Royal Canadian Mint used aggressively to capture collector revenue after the 1996 restructuring that pushed it toward commercial self-sufficiency. This particular issue commemorates the 1864 Charlottetown Conference, where delegates from the British North American provinces met to begin drafting the terms of Confederation — a gathering now mythologized well beyond what the three-day social agenda actually accomplished.
Mintage was capped deliberately low to sustain secondary market premiums, a pricing strategy the RCM formalized during this period.