Catalogus
| Uitgever | Gouvernement Général de Madagascar |
|---|---|
| Jaar | 1916-1919 |
| Type | Log in om details te zien |
| Waarde | 50 Centimes (0.50) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | The entire face reproduces a rose-pink adhesive postage stamp of the Navigation and Commerce colonial type, engraved after Mouchon's design. The central vignette presents two allegorical female figures — Commerce seated at left and Navigation standing at right — set against a maritime background, with the denomination numeral '50' in large figures at centre. A bold rectangular cartouche at the base carries the colonial overprint 'MADAGASCAR ET DEPENDANCES'. |
|---|---|
| Opschrift voorzijde | REPVBLIQVE FRANÇAISE COLONIES POSTES 50 MADAGASCAR ET DEPENDANCES MOUCHON |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Gouvernement Général de Madagascar issued these emergency fractional notes because the war had drained metropolitan France of small coinage — coins were hoarded, melted, or simply never made it to the colony in sufficient quantities. The notes filled a gap that no one had planned for. Mouchon, best known for designing French postage stamps including the celebrated 1900 "Mouchon type," lent his stamp-design aesthetic directly to this format, which is why the note reads more like an enlarged fiscal stamp than a conventional banknote.
Wartime paper shortages in Madagascar meant print quality varied noticeably across the 1916–1919 run.