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50 Centavos

Uitgever Banco Central de la República Argentina
Jaar 1951-1956
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen 115 × 65 mm
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
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Beschrijving voorzijde Brown and gold on a fine guilloche underprint. At left, an oval vignette with a classical bust of Liberty in profile, helmeted, rendered in intaglio relief against a geometric lathe-work border. The large numeral '50' appears twice — once in the lower left margin and once in bold letterpress at center — flanked by the bank title and denomination inscription. Two manuscript signatures appear below the central text, above the series letter 'B' printed in red at lower right.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde REPUBLICA ARGENTINA 50 CENTAVOS UNA NACION SOCIALMENTE JUSTA ECONOMICAMENTE LIBRE POLITICAMENTE SOBERANA CONSTITUCION NACIONAL
(Translation: Republic of Argentina 50 Centavos A Socially Just, Economically Free, Politically Sovereign Nation — National Constitution)
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The Banco Central de la República Argentina issued this denomination during a stretch when Perón's government was intervening heavily in the currency supply — the early 1950s saw Argentina's money stock expand rapidly under wage-driven inflationary pressure, and small-denomination notes like this one were being produced in vast quantities to keep pace with everyday transaction demand. By mid-decade the 50-centavo note was barely functional in real purchasing terms.

Casa de Moneda printed the entire series domestically, part of a broader push during the Perón years to reduce dependence on foreign security printers. The offset process used here was a step down from the intaglio work that had characterized earlier Argentine issues.

MISSCHIEN OOK INTERESSANT