50 Avos

Emissor Macau
Ano 1972-1973
Tipo Standard circulation coin
Valor 50 Avos (0.50 MOP)
Moeda Pataca (1894-date)
Composição Copper-nickel (75% Copper, 25% Nickel)
Peso 5.8 g
Diâmetro 23 mm
Espessura 1.8 mm
Formato Round
Técnica Milled
Orientação Coin alignment ↑↓
Gravador(es)
Em circulação até
Referência(s) KM#7, Schön#4
Descrição do anverso The legend in Portuguese and Cantonese around the coat of arms of Macau
Escrita do anverso
Legenda do anverso * MACAU * 伍 澳 毫 門 * 50 AVOS *
Descrição do reverso
Escrita do reverso
Legenda do reverso REPUBLICA · PORTUGUESA *1972*
Bordo Reeded
Casa da moeda
Tiragem 1972 - - 1 600 000
1973 - - 4 840 000
ID Numisquare 5324023590
Informações adicionais

Historical Context: Issued by Macau, then a Portuguese overseas province, the 1972-1973 50 Avos coin circulated during Brigadier José Manuel de Sousa e Faro Nobre de Carvalho's governorship. This period, under Portugal's Estado Novo regime, saw Macau's economy expand amidst global decolonization. This coin series, introduced in the early 1970s, modernized local currency, vital for daily commerce. Its dual-year designation signifies production across two calendar years.

Artistry: The design reflects a functional modernist aesthetic, typical of 20th-century Portuguese colonial coinage. The obverse features the Portuguese coat of arms, encircled by "REPÚBLICA PORTUGUESA". The reverse displays "50 AVOS" above the year, framed by "MACAU" and an elegant stylized lotus flower, a significant local emblem. While specific engraver attribution is uncommon for this circulation issue, the clear, balanced composition reflects the Lisbon Mint's standard.

Technical/Grading: Struck in copper-nickel, this coin exhibits good durability. For grading, key high-points on the obverse include the small shields within the Portuguese escutcheon and the crown. On the reverse, the central numeral "50" and the delicate veins and petals of the stylized lotus flower are critical. Well-struck examples show sharp separation in shield elements and full definition in the lotus design. Circulated pieces often display softness in these intricate areas and typical bag marks.

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