Katalog
| Emitent | Artsakh |
|---|---|
| Rok | 1998 |
| Typ | Non-circulating coin |
| Hodnota | 50 000 Drams (50 000) |
| Měna | Dram (2003-2023) |
| Složení | Gold plated silver (.999) |
| Hmotnost | 155.518 g |
| Průměr | 63.8 mm |
| Tloušťka | |
| Tvar | Round |
| Technika | Milled |
| Orientace | |
| Rytci | |
| V oběhu do | 1 January 2024 |
| Reference | KM#4a |
| Popis líce | Coat of arms of the Nagorno-Karabakh Republic. |
|---|---|
| Písmo líce | |
| Opis líce |
1998 ԼԵՌՆԱՅԻՆ ՂԱՐԱԲԱՂԻ ՀԱՆՐԱՊԵՏՈՒԹՅՈՒՆ ԱՐՑԱԽ 50000 (Translation: Nagorno-Karabakh Republic Artsakh) |
| Popis rubu | Two stone faced monuments. |
| Písmo rubu | |
| Opis rubu |
ԱՐՑԱԽ ∙ ARTSAKH 2000 (Translation: Artsakh) |
| Hrana | |
| Mincovna | |
| Náklad |
1998 - Proof - |
| ID Numisquare | 3347021000 |
| Další informace |
Historical Context: The 50 000 Drams 'Monument We Are Our Mountains' coin, issued by Artsakh in 1998, signifies a pivotal post-conflict era. Following its unilateral declaration of independence, Artsakh, a de facto but unrecognized state, utilized this high-denomination commemorative as a potent assertion of sovereignty and national identity. It underscored the enduring Armenian presence and deep historical roots, projecting resilience through a powerful national symbol.
Artistry: The coin's central design features the iconic 'We Are Our Mountains' monument, or Tatik-Papik, near Stepanakert. This monumental sculpture, depicting an elderly Armenian couple carved from tufa rock, profoundly symbolizes the Artsakh people's deep connection to their land and heritage. While specific engraver details are often undocumented, the stylistic school aligns with modern nationalistic numismatic art, emphasizing symbolic representation and cultural pride, evoking timelessness and steadfastness.
Technical/Grading: This substantial piece is struck in gold plated .999 fine silver, weighing 155.518 grams and measuring 63.8 mm, classifying it as a medallic issue. Key high-points for grading include the intricate facial features and textured rock surfaces of the 'Tatik-Papik' monument, where strike weakness or wear would first manifest. The considerable planchet size and weight suggest a robust strike, often requiring multiple presses. Collectors must also assess the integrity and uniformity of the gold plating, as any loss impacts appeal and value.