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| 表面の説明 | Multicolour vignette with pine trees and a rocky outcrop at left, two decorative birds in flight at centre, and an imperial portrait at right. A serial number appears at top centre, with the denomination in numerals at bottom left. The overall design evokes traditional Chinese landscape and court imagery. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Printed in light green with the denomination in numerals at upper left. The left vignette presents a pair of deer amid cherry blossom branches, while the right vignette shows a temple structure framed by pine trees, evoking classical Chinese landscape motifs. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Hell Bank Notes are not currency in any monetary sense — they are votive offerings burned at Chinese funerals and ancestral ceremonies so the deceased can spend the money in the afterlife. The Míng Dū Bank (冥都 literally means "underworld capital") exists purely as a ritual fiction, giving the notes a superficial legitimacy that mirrors real banknotes closely enough to satisfy the symbolic requirement.
Hong Kong became the dominant production center for these items, exported worldwide to diaspora communities. Collectors pick them up as curios, but their catalog value is negligible — production runs are large and they were never scarce by design.