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| 表面の説明 | The face is divided into two vertical panels within an ornamental rectangular border offset to the left. The wider left panel carries the principal text inscriptions against a background vignette of the German imperial eagle. The narrower right panel contains a reproduction of Albrecht Dürer's 'Portrait of Jakob Muffel' set within a rectangular frame, with the serial number above and the denomination value below. Ornamental devices appear above and below the value numeral in the right field. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is dominated by an intricate guilloche underprint in muted rose-brown tones, offset to the right, with four large numeral 50s positioned at each corner of the note. The central area carries the bold denomination '50 BILLIONEN MARK' in large letterpress type, surmounted by the heading 'REICHSBANKNOTE'. A block of small-print anti-counterfeiting statutory warning text appears in the lower central portion of the design. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
By February 1924, when this note was officially dated, the hyperinflation that necessitated denominations of this magnitude had already collapsed. The Rentenmark stabilization of November 1923 had effectively ended the crisis, making the 50-trillion-Mark Reichsbanknote an artifact of a monetary catastrophe rather than a functioning instrument — most examples were issued and almost immediately rendered worthless through the currency reform that replaced them at a rate of one Rentenmark to one trillion old Marks.
Print run of just over twelve million is modest relative to the emergency output of late 1923, when notes were often printed on one side only to accelerate production.