Catalogue
| Description de l’avers | Abuabdullo Rudaki facing right, denomination below |
|---|---|
| Écriture de l’avers | Cyrillic |
| Légende de l’avers |
• ҶУМҲУРИИ ТОҶИКИСТОН • ПАНҶ СОМОНӢ РӮДАКӢ (Translation: Republic of Tajikistan Five Somonii Ruudakii) |
| Description du revers | Crown surmounted by an arc of seven stars, denomination below, date bottom |
| Écriture du revers | Cyrillic |
| Légende du revers |
5 СОМОНӢ 2001 СПМД (Translation: 5 Somonii SPMD (St. Petersburg mint mark)) |
| Tranche | Alternating reeded and smooth segments with repeated |
| Atelier | |
| Tirage |
2001 СПМД - - 2001 СПМД - Proof - |
| ID Numisquare | 3315393550 |
| Informations supplémentaires |
Historical Context: Issued in 2001, the 5 Somoni coin marks a pivotal period in Tajikistan's post-Soviet development. A decade after independence in 1991 and the end of its civil war, the nation, under President Emomali Rahmon, consolidated its sovereignty. The introduction of the Somoni currency in 2000, replacing the Tajikistani ruble, was a crucial step in asserting economic independence and forging national identity. This coin, from the inaugural series, symbolizes the young republic's stability and aspirations.
Artistry: The 5 Somoni's design reflects a modern nationalistic numismatic aesthetic, common for newly independent states. While specific engraver details are not public for this circulation issue, the stylistic school emphasizes clear national symbolism. The obverse features Tajikistan's national emblem: a stylized crown over seven stars, set against mountains, encircled by cotton and wheat stalks, signifying prosperity. The reverse displays the large denomination "5 SOMONI" and the year "2001," often framed by a decorative national motif.
Technical/Grading: Struck in copper-nickel, the 5 Somoni typically exhibits a robust, well-defined strike, characteristic of modern minting. For grading, key high-points prone to wear include the central crown and mountain peaks on the obverse's national emblem. On the reverse, the raised edges of the numerals and any intricate elements within the ornamental border are susceptible to abrasion. Uncirculated examples retain original luster and crispness, though minor bag marks are common from circulation.