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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 2551 (2008) - พ.ศ. ๒๕๕๑; in sets only - 10,000 2552 (2009) - พ.ศ. ๒๕๕๒; in sets only - 10,000 2553 (2010) - พ.ศ. ๒๕๕๓; in sets only - 10,000 2554 (2011) - - 10,000 2555 (2012) - พ.ศ. ๒๕๕๕; in sets only - 10,000 2556 (2013) - พ.ศ. ๒๕๕๖; in sets only - 10,000 2557 (2014) - พ.ศ. ๒๕๕๗; in sets only - 10,000 2558 (2015) - พ.ศ. ๒๕๕๘; in sets only - 10,000 2559 (2016) - พ.ศ. ๒๕๕๙; in sets only - 10,000 2560 (2017) - พ.ศ. ๒๕๖๐; in sets only; minted in July 2017; posthumous - 10,000 |
| 附加信息 |
The 4th portrait series of Rama IX coinage was introduced in the early 2000s as part of a broader rationalization of Thai circulating coinage, coinciding with the king's sixth decade on the throne. Bhumibol Adulyadej remains the longest-reigning monarch in Thai history, and the sheer volume of coinage produced across his multiple portrait series dwarfs that of any comparable monarchy. The 5 satang, by this period, had become almost notional — worth a fraction of a US cent and rarely tendered in everyday transactions, yet kept in production largely for accounting and pricing convention.