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5 Rupees
| Uitgever | Central Bank of Ceylon |
|---|---|
| Jaar | 1965-1969 |
| Type | Log in om details te zien |
| Waarde | 5 Rupees |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | 5 FIVE RUPEES 1965 - 9 - 9 |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Bradbury Wilkinson's contract with Ceylon ran through several denominations in this period, and the 5 Rupee was a workhorse note — high volume, heavy circulation, and consequently difficult to find today without the soft folds and corner wear that come from passing through market hands. The Central Bank had been issuing notes independently since 1951, having taken over from the Currency Board, and by the mid-1960s the series reflected a settled, post-independence institutional confidence rather than the transitional anxieties of the earlier decade.
Pick 68 spans a four-year window, with dates the primary differentiator between subvariants. The watermark — a lion passant — is consistent across the run.