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5 Pounds - Elizabeth II Series C, portrait
| Uitgever | Bank of England |
|---|---|
| Jaar | 1963-1971 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Pound sterling (1158-1970) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | J. Q. Hollom J. S. Fforde J. B. Page |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Repeating laureate portrait heads arranged in a continuous vertical line. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Series C £5 marked the Bank of England's first use of a royal portrait on its notes since the seventeenth century — a deliberate move toward modernisation that had been debated internally for years before the Bank finally acted. Reynolds Stone, better known as a wood engraver and letter-cutter, produced the Queen's portrait, an unusual commission for a man whose reputation rested on private press work and typeface design rather than intaglio banknote engraving.
Three chief cashiers signed across the note's lifespan: Hollom, Fforde, and Page. Hollom-signed examples from the earliest print runs are the most sought-after within the series.