Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Royal Mint |
|---|---|
| Year | 2011 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | 38.61 mm |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Fourth definitive effigy of Queen Elizabeth II facing right, depicting Her Majesty wearing the Girls of Great Britain and Ireland tiara in a crowned and draped bust portrait designed by Ian Rank-Broadley. The sovereign's name and royal titles appear in a continuous legend encircling the effigy, with the denomination and date incorporated into the inscription. The sculptor's initials IRB appear below the truncation of the bust. |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | 2011 - BU - 250,000 |
| Additional information |
Issued to mark the April 2011 marriage of Prince William and Catherine Middleton, this piece came from a Royal Mint that had relocated just two years earlier from its centuries-old Tower Hill site to a purpose-built facility in Llantrisant, Wales. The copper-nickel version was the mass-market counterpart to a range of precious metal strikes produced for the same event, most of which sold out rapidly on pre-order.
The Spink reference L22 places it firmly in the commemorative crown series that the Royal Mint had been issuing since the 1960s — a format kept alive largely by collector demand rather than any circulating need.