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| 表面の説明 | Portrait vignette of Catherine McAuley, founder of the Sisters of Mercy, positioned at right, with a view of the Mater Misericordiae Hospital, Dublin rendered as an architectural vignette at left. Bilingual inscriptions appear in Irish and English, with guilloche underprint elements framing the composition. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | 15.03.1994 - 28.04.1994 / 15.03.1994 - Doyle & Cromien 21.12.1994 - 15.10.1999 - O'Connaill & Mullarkey |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Robert Ballagh, better known as a fine artist and poster designer, was commissioned to redesign the entire Irish pound series in the early 1990s — an unusual choice that generated real public debate at the time. His approach broke sharply from the earlier Lady Lavery notes and the Russborough series that preceded this issue.
The Doyle/Cromien signature combination is notably short-lived, covering only a six-week window in early 1994, making those dated examples considerably harder to find than the O'Connaill/Mullarkey issues that ran through the remainder of the series until euro transition planning effectively ended new printings.