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| Issuer | Central Bank of Ireland |
|---|---|
| Year | 1994-1999 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Paper |
| Size | Log in to see details |
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| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Banc Ceannais na hÉireann Cúig Phunt (Translation: Central Bank of Ireland Five Pounds) |
| Reverse description | Log in to see details |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Portrait watermark of Lady Hazel Lavery |
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| Comments |
Robert Ballagh, better known as a fine artist and poster designer, was commissioned to redesign the entire Irish pound series in the early 1990s — an unusual choice that generated real public debate at the time. His approach broke sharply from the earlier Lady Lavery notes and the Russborough series that preceded this issue.
The Doyle/Cromien signature combination is notably short-lived, covering only a six-week window in early 1994, making those dated examples considerably harder to find than the O'Connaill/Mullarkey issues that ran through the remainder of the series until euro transition planning effectively ended new printings.