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| 正面描述 | At left, a standing gaucho vignette flanked by the national coat of arms and watermark panel; the centre bears the face value numeral within guilloche underprint work, with a secondary vignette of a rider herding cattle to the right. Bank title and statutory inscriptions run across the upper and lower registers in letterpress. |
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| 背面描述 | Central vignette after José Belloni's sculpture La Carreta, rendered as an engraved pastoral scene of ox-drawn wagons crossing open grassland with drovers; the composition is framed by ornate neoclassical columns with guilloche panels, denomination numerals at all four corners, and the legend CINCO PESOS in a decorative cartouche at the bottom. The printer's imprint of Thomas De La Rue & Co. Ltd., Londres, Inglaterra appears at the lower margin. |
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Uruguay's 1935 banking law that authorized this series was itself a product of the country's painful navigation through the global depression — the Banco de la República had been forced to suspend gold convertibility in 1931, and the new legislative framework was an attempt to stabilize a note-issuing regime that had operated under improvised conditions for years. Thomas De La Rue's involvement was entirely typical for the region's better-capitalized central banks during this period; Montevideo's institutions had long preferred London printers over Buenos Aires alternatives.
P#29 is the earlier of two distinct signature varieties in this denomination. The watermark pattern is the only security feature on an otherwise straightforward intaglio sheet.