Vollständige Bilder anzeigen — kostenlose Registrierung
Mit Google fortfahren — kostenlos oder mit E-Mail registrieren

5 Pesetas

Emittent Banco de España
Jahr 1943
Typ Anmelden um Details zu sehen
Nennwert Anmelden um Details zu sehen
Währung Anmelden um Details zu sehen
Material Anmelden um Details zu sehen
Größe Anmelden um Details zu sehen
Form Rectangular
Druckerei Anmelden um Details zu sehen
Designer Anmelden um Details zu sehen
Stecher Anmelden um Details zu sehen
Im Umlauf bis Anmelden um Details zu sehen
Referenz(en) Anmelden um Details zu sehen
Vorderseitenbeschreibung Anmelden um Details zu sehen
Vorderseitenlegende 5 BANCO DE ESPAÑA CINCO PESETAS DE CURSO LEGAL MADRID 13 DE FEBRERO DE 1943 EL GOBERNADOR. EL INTERVENTOR. EL CAJERO FCA NAL DE MONEDA Y TIMBRE
(Translation: Bank of Spain Five Pesetas legal tender Madrid, February 13, 1943 The Governor. The Comptroller. The Cashier)
Rückseitenbeschreibung Black intaglio print; red serial numbers. Central vignette reproduces a fragment of Eduardo Cano de la Peña's painting 'Christopher Columbus at the Convent of La Rábida' (held at the Palace of the Senate, Madrid). An armillary sphere or terrestrial globe appears at the lower left, surrounded by geometric and floral ornamental designs.
Rückseitenlegende Anmelden um Details zu sehen
Unterschrift(en) Anmelden um Details zu sehen
Sicherheitsmerkmal Anmelden um Details zu sehen
Beschreibung der Sicherheitsmerkmale Anmelden um Details zu sehen
Varianten Anmelden um Details zu sehen
Anmerkungen

Spain's wartime economy in 1943 was still grinding through the autarky period — Franco's deliberate isolation from international markets had produced chronic shortages, including of quality paper and printing materials. The FNMT managed the entire output domestically, which was as much a political statement as a logistical one.

López Sánchez-Toda was among the most skilled engravers working at the FNMT during this period, responsible for a number of Spanish issues across the 1940s. The 5 pesetas denomination circulated heavily at this level and worn examples are far more common than intact ones — low-value notes in postwar Spain were used hard.