Catalog
| Issuer | Yugoslavia |
|---|---|
| Year | 1920 |
| Type | Standard circulation coin |
| Value | 5 Para (0.05) |
| Currency | Dinar (1918-1941) |
| Composition | Zinc (98,5 % Zn, 1,5 % Cu) |
| Weight | 2.6 g |
| Diameter | 18.8 mm |
| Thickness | 1.3 mm |
| Shape | Round |
| Technique | Milled |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | |
| In circulation to | 30 November 1932 |
| Reference(s) | KM#1, Schön#1, Viscevic#1 |
| Obverse description | Coat of arms |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | The value of the currency with its denomination |
| Reverse script | Cyrillic, Latin |
| Reverse lettering |
5 PARA ПАРА 1920 (Translation: 5 Paras) |
| Edge | Smooth |
| Mint | |
| Mintage |
1920 - - 3 825 514 |
| Numisquare ID | 6569099390 |
| Additional information |
Historical Context: The 1920 5 Para coin, bearing King Petar I's effigy, marks a pivotal moment in South Slav history. Issued by the newly formed Kingdom of Serbs, Croats and Slovenes, it symbolized the monetary consolidation following World War I and the unification of various territories. King Petar I (Petar I Karađorđević), though largely retired, was chosen for the inaugural coinage as the revered liberator and unifier, representing continuity and national identity for the nascent state.
Artistry: The 5 Para's design is characteristic of early 20th-century European monarchical portraiture, often attributed to Rudolf Valdec. The obverse features a dignified, realistic bust of King Petar I, rendered with classical simplicity. The reverse displays the denomination "5 PARA" and "1920" encircled by a stylized wreath, surmounted by the royal crown. This aesthetic conveyed national assertion and tradition for the new kingdom.
Technical/Grading: Struck in zinc (98.5% Zn, 1.5% Cu), weighing 2.6 grams and measuring 18.8 millimeters, this coin presents unique preservation challenges. Zinc is susceptible to corrosion and "zinc rot," often leading to pitting or surface degradation. High points for wear include the King's hair, ear, and the crown's highest relief on both sides. Due to the metal's softness, strikes can be weak, especially on intricate details, making fully sharp examples in uncirculated condition highly prized.