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| Emittent | Thesouro Nacional |
|---|---|
| Jahr | 1835 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Perkins, Bacon & Petch (Perkins, Bacon and Co.), United Kingdom (1820-1935) |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | 5 CINCO 5 CINCO 5 CINCO 5 5 IMPERIO DO BRASIL Nº ____ 5$000 NO THESOURO NACIONAL SE PAGARÁ ao portador desta a quantia de CINCO MIL RÉIS, valor recebido. 5 Decreto de 1º de Junho de 1833. 5 5 CINCO 5 CINCO 5 CINCO 5 (Translation: 5 Five Empire of Brazil No. ____ 5$000 At the National Treasury you will pay bearer of this the amount of Five Thousand Réis, amount received. 5 Decree of June 1, 1833. 5 Five) |
| Rückseitenbeschreibung | Unprinted; the reverse is entirely blank white paper with no typographic or engraved elements. |
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| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Brazil's National Treasury turned to Perkins, Bacon & Petch in the early 1830s at a moment of acute monetary instability — the young empire was hemorrhaging specie, and paper emissions from multiple competing authorities had badly eroded public confidence. Perkins had by then already established a reputation for security printing through intaglio work that was considered genuinely difficult to counterfeit, which was precisely the selling point for a government trying to reassert credibility in its paper currency.
Jacob Perkins developed the siderographic transfer process that underpins the plate work here — a technique allowing master engravings to be multiplied onto steel without quality loss, first commercialized in bank note production during the 1820s.