Katalog
| Emittent | Reichsschuldenverwaltung (Reich Debt Administration) |
|---|---|
| Jahr | 1904 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 5 Mark |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | At left, an allegorical vignette of Germania accompanied by a young boy and a dove, rendered in a classical intaglio style. To the right, symbolic vignettes represent shipping, mechanical engineering, trade, and agriculture. The face value and issuing authority appear in letterpress text across the note, framed by fine guilloche ornamental borders. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | P#8a - 6 digit serial # P#8b - 7 digit serial # |
| Anmerkungen |
The Reichskassenschein series occupied an awkward institutional middle ground — these were not Reichsbank notes but direct obligations of the Reich treasury, meaning the state itself, not the central bank, stood behind them. The 5 Mark denomination circulated heavily among working-class transactions, and the corrugated hemp paper used from this issue onward was a deliberate anti-counterfeiting measure, producing a distinctive ribbed texture that was difficult to replicate outside the Reichsdruckerei's own production process.
Alexander Zick's involvement placed this note within a broader decorative reform in German official printing — he was primarily known as a painter and muralist, and his engagement with banknote design was part of a conscious move away from the dry engraving conventions of earlier imperial issues. Pick 8 superseded the 1899 type; the hemp substrate change is the clearest physical marker separating the two.