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5 Mark - Falkenstein Priv. Bürger Schützen Gesellsch.
| Uitgever | Privilegierte Bürger-Schützen-Gesellschaft Falkenstein |
|---|---|
| Jaar | 1924 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | 31.8 mm |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | PRIV. BÜRGER-SCHÜTZEN-GESELLSCH. 5 MARK FALKENSTEIN 1924 |
| Beschrijving keerzijde | A deeply modelled allegorical composition depicting a destitute German family in high relief, symbolising the suffering of the German people in the post-war era. A tall, bowed male figure stands at centre, his head inclined in despair, with a weeping semi-nude female figure kneeling to his left and a small child clinging to his right hand. Bare, thorny branches flank the group on both sides, reinforcing the theme of hardship and desolation. The curved legend 'DES DEUTSCHEN VOLKES LEIDENSWEG' ('The road of suffering of the German people') arcs along the upper rim, and the mint mark 'MM' appears in the lower exergue. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Issued by the Privilegierte Bürger-Schützen-Gesellschaft Falkenstein, this is a shooting festival token — a Schützentaler — struck for a marksmen's guild competition rather than by any governmental monetary authority. These civic shooting societies proliferated across German-speaking regions from the 16th century onward, and by the Weimar period their festival medals had long served as prizes and parade currency within the closed economy of the event itself. The 1924 date places this piece squarely in the stabilization year following the catastrophic hyperinflation, when even private organizations were asserting a kind of symbolic normalcy through bronze.