| Emisor | Republic of Shakya (Janapadas (pre-Mauryan)) |
|---|---|
| Año | 600 BC - 500 BC |
| Tipo | Standard circulation coin |
| Valor | 5 Mana |
| Moneda | Karshapana |
| Composición | Silver |
| Peso | 6 g |
| Diámetro | |
| Grosor | 2 mm |
| Forma | Square (irregular) |
| Técnica | Hammered |
| Orientación | Coin alignment ↑↓ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) |
| Descripción del anverso | Single central pentagonal symbol plus different banker`s marks around |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Blank. |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (600 BC - 500 BC) - - |
| ID de Numisquare | 1654006090 |
| Información adicional |
Historical Context: This 5 Mana silver coin originates from the Shakya Janapada, a prominent republican state in ancient India during the pre-Mauryan period (600-500 BC). This era was marked by the rise of urban centers and new philosophical movements, most notably the birth of Siddhartha Gautama, the Buddha, within the Shakya clan. The issuance of such coinage signifies the Janapada's economic autonomy and sophisticated administrative structure, reflecting a period of significant political evolution among the early Indian states before the unification under the Mauryan Empire.
Artistry: As a product of the early Indian punch-marked coinage (PMC) tradition, this 5 Mana piece lacks an individual engraver, with its design instead formed by multiple artisans striking individual punches onto the silver flan. The stylistic school is aniconic and highly symbolic, characteristic of the Janapada period. Typical designs often feature a prominent central symbol, such as a six-armed mark or a specific geometric device, accompanied by smaller ancillary symbols, representing the issuing authority and perhaps local totems or administrative marks, rather than intricate pictorial scenes.
Technical/Grading: Weighing 6 grams of silver, this coin's technical quality is assessed by the clarity and depth of its individual punch marks. High-points for grading would include the complete impression of all symbols, particularly the central motif, and the overall preservation of the flan's surface. Given the manufacturing process, irregular flan shapes and off-center or overlapping strikes are common, yet a well-struck example will exhibit sharp, distinct symbols with minimal flattening, reflecting careful execution despite the rudimentary technology of the period.