Catalog
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| Issuer | Norges Bank |
|---|---|
| Year | 1876-1877 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Yes |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | NORGES BANK 5 NORGES BANK 5 betaler Ihændehaveren af denne Seddel 5 Kroner Guld 5 FEM KRONER THRONHJEM AAR |
| Reverse description | Log in to see details |
| Reverse lettering | 5 |
| Signature(s) | Log in to see details |
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| Variants | Log in to see details |
| Comments |
Bradbury Wilkinson produced this proof-stage note at their New Malden works during a period when Norges Bank was actively modernizing its currency series following the Scandinavian Monetary Union treaty of 1873, which tied Norway, Sweden, and Denmark to a shared gold-backed kroner standard. Whether this design was formally rejected or simply superseded during internal review is not documented in the bank's published records — "pattern" designations in Norwegian issues of this period often reflect multiple competing submissions rather than a single failed proposal.
Christian Christie was a Norwegian artist whose involvement suggests Norges Bank was seeking domestic design input even while contracting foreign security printers. Very few impressions from this submission are known to exist outside institutional collections.