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5 Hryven The Executed Renaissance. Mykola Khvylovy
| Uitgever | National Bank of Ukraine |
|---|---|
| Jaar | 2025 |
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| Valuta | Log in om details te zien |
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| Graveur(s) | Volodymyr Atamanchuk, Anatolii Demianenko |
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| Beschrijving voorzijde | Log in om details te zien |
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| Schrift voorzijde | Log in om details te zien |
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| Beschrijving keerzijde | The reverse presents a finely modeled bust portrait of Mykola Khvylovy (born Mykola Fitiliov) in three-quarter left-facing view, rendered in high sculptural relief emerging from a background of fragmented, shattered stone slabs that evoke both creative destruction and violent suppression. The surrounding rocky elements frame the portrait dramatically, reinforcing the theme of the 'Executed Renaissance.' To the lower left, a worn stone fragment bears the birth and death years 1893 and 1933 in relief numerals. The inscriptions МИКОЛА ФІТІЛЬОВ and МИКОЛА ХВИЛЬОВИЙ appear in two vertical columns flanking the portrait to the right, identifying the subject by both his birth name and literary pseudonym. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | МИКОЛА ФІТІЛЬОВ МИКОЛА ХВИЛЬОВИЙ 1893 1933 |
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| Aanvullende informatie |
Mykola Khvylovy — born Mykola Fitilev — was the most prominent voice of the Ukrainian literary renaissance of the 1920s, and his 1925 pamphlet posing the question "Away from Moscow?" made him a direct target of Soviet ideological pressure. He shot himself in 1933, on the same day his close associate Mykhailo Yalovyi was arrested, an act widely read as political protest. Stalin reportedly said of his suicide: "This bullet was aimed at the Party."
The "Executed Renaissance" — Rozstrilyane Vidrodzhennya — refers to the generation of Ukrainian writers, artists, and intellectuals systematically eliminated by Soviet repression between the late 1920s and 1930s. Khvylovy's is among the handful of cases where the victim chose the timing himself.