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5 Francs Law of 1874

Uitgever Banque de la Guadeloupe
Jaar 1874
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Paper
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde BANQUE DE LA GUADELOUPE Il sera payé en espèce, à vue, au porteur CINQ FRANCS ( par groupe de cinq billets. ) Le Directeur Le Caissier JH-CABASSON . INV ET DEL 1874 J. ROBERT SC.
(Translation: Bank of Guadeloupe It will be paid in cash, on sight, to bearer Five Francs (per group of five tickets.) The Manager The Cashier)
Beschrijving keerzijde Red-brown intaglio print centered on a female profile portrait within an elaborate oval guilloche frame, flanked by two circular vignettes and parrots perched among tropical foliage at either side. A caduceus rises at top center above the central medallion. The denomination numeral "5" appears in large script at both left and right margins.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The Banque de la Guadeloupe was established in 1851 as one of the three colonial banks created by France for its Caribbean possessions following emancipation. This 5 Francs note, authorized under the Law of 1874, was printed by the Banque de France in Paris — the metropolitan central bank's printing operation serving the colonial issuers directly, which was common practice for the smaller Antilles banks that lacked the volume to justify independent contracts with commercial security printers.

Charles-Jules Robert engraved the obverse plates; Wullschleger handled the reverse. The designer credit to Harang, known professionally as Cabasson, places this within a recognizable mid-Third Republic aesthetic for French colonial small-denomination paper.

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