カタログ
| 発行体 | Burundi |
|---|---|
| 年号 | 1968 |
| 種類 | Coin pattern |
| 額面 | 5 Francs |
| 通貨 | Franc (1962-date) |
| 材質 | Aluminium |
| 重量 | 2.17 g |
| 直径 | 25 mm |
| 厚さ | |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Circular text lines around three stars at the center. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
IBANKI YA REPUBLIKA Y`UBURUNDI UBUMWE-IBIKORWA-AMAJAMBERE UNITE-TRAVAIL-PROGRES 1968 (Translation: Bank of the Republic of Burundi Unity, Work, Development) |
| 裏面の説明 | Denomination within wreath, with the word ESSAI written at the bottom |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
BANQUE DE LA REPUBLIQUE DU BURUNDI 5 FRANCS AMAFRANGA BRB ESSAI (Translation: Bank of the Republic of Burundi) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1968 - - |
| Numisquare ID | 3069706270 |
| 追加情報 |
Historical Context: Issued in 1968, this 5 Francs Essai reflects Burundi's early years as a republic. Following the 1966 overthrow of the monarchy by Michel Micombero, the nation embarked on establishing a distinct republican identity. This trial strike was crucial in defining new national currency, moving away from colonial and monarchical numismatic traditions, and asserting Burundi's sovereignty in the post-independence era. It represents a period of significant political transition and the foundational steps towards a fully independent monetary system.
Artistry: As an Essai, this coin likely served to test design elements and metal compositions for future coinage. While a specific engraver is often unrecorded for such patterns, the design would have aimed for clarity and national symbolism, potentially incorporating motifs representing Burundi's agricultural heritage or national emblems. The stylistic approach would typically blend modern European minting standards with an emerging sense of post-colonial identity, ensuring both aesthetic appeal and practical suitability for mass production.
Technical/Grading: Struck in lightweight aluminium (2.17 gg, 25 mmmm), this Essai's technical quality is paramount. High-points, such as the legends and any central motifs, should exhibit crispness, indicative of a well-executed strike typical for a pattern piece. Aluminium, while prone to contact marks, generally allows for good detail retention if the dies are properly prepared and the striking pressure is adequate. For grading, one would examine the overall planchet integrity, sharpness of relief, and absence of significant flaws or post-mint damage, which are often minimal on Essais due to their limited handling.