Katalog
| Emittent | Banque de Madagascar |
|---|---|
| Jahr | 1926-1947 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Madagascar Franc (1925-1945) |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | A large circular vignette on the left bears a classical portrait of Juno in profile. The entire face is framed by stylized lily friezes forming a decorative guilloche border. Engraver and designer credits appear alongside the issuer name and denomination inscription. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | A repetitive fleur-de-lis pattern serves as the principal underprint across the entire field. A large numeral 5 in red appears to the left, while the text of Article 139 of the French Penal Code, printed in red, occupies the right portion of the note. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Banque de Madagascar was a private colonial institution operating under French government concession, not a state central bank — a distinction that mattered when the post-war monetary reforms of 1945–46 began unwinding the old colonial currency arrangements. This note circulated across a remarkably long span, bridging the quiet interwar years and the disruptions of Vichy administration, when Madagascar fell under the authority of the French State before the British occupation of 1942 forced a realignment toward Free France.
Deloche was among the more accomplished intaglio engravers working for the Banque de France printworks during this period. Leclerc's involvement places the design firmly in the tradition of French colonial issue graphics produced in-house rather than contracted to outside firms.