Katalog
| Emittent | Banque d'État du Maroc |
|---|---|
| Jahr | 1921 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 5 Francs |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | BANQUE D'ÉTAT DU MAROC CINQ FRANCS L. LECLERC CHAIX.PARIS |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Two signature varieties |
| Anmerkungen |
The Banque d'État du Maroc was established under the Act of Algeciras in 1906, a multinational agreement that gave fourteen European powers and the United States a stake in Moroccan financial affairs — making it one of the more unusual central banking arrangements in colonial history. France held the dominant position in practice, but the bank's charter formally precluded any single nation from controlling it outright. By 1921, that fiction was increasingly strained.
Imprimerie Chaix was primarily a commercial and poster printer, closely associated with Jules Chéret's lithographic work. Their involvement in banknote production was relatively limited, which makes this series a minor curiosity in the history of French security printing. Léon Leclerc's design credit appears on several Chaix-printed colonial issues of the period.