Katalog
| Emitent | Malta |
|---|---|
| Rok | |
| Typ | Fantasy coin |
| Nominał | 5 Euro Cents |
| Waluta | Euro (2008-date) |
| Skład | Copper |
| Waga | 7.4 g |
| Średnica | 20.8 mm |
| Grubość | 2.4 mm |
| Kształt | Round |
| Technika | Milled |
| Orientacja | Medal alignment ↑↑ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) |
| Opis awersu | 12 Stars encircle Maltese Cross in a shield |
|---|---|
| Pismo awersu | Latin |
| Legenda awersu | MALTA |
| Opis rewersu | 12 Stars left, Denomination over Map of Europe. |
| Pismo rewersu | Latin |
| Legenda rewersu | SPECIMEN 5 |
| Krawędź | Plain |
| Mennica | |
| Nakład |
ND - BU - 10 000 |
| ID Numisquare | 6017519970 |
| Dodatkowe informacje |
Historical Context: This 5 Euro Cent Specimen from Malta signifies a pivotal moment in the nation's modern history: its integration into the Eurozone on January 1, 2008. While lacking a traditional monarch, the coin represents the collective economic and political sovereignty of the European Union and the European Central Bank. The era marks Malta's full embrace of European economic unity, transitioning from the Maltese Lira and solidifying its position within a major global currency bloc, reflecting a significant geopolitical and financial shift for the island nation.
Artistry: The common obverse, designed by Luc Luycx, features a map of Europe, a hallmark of Euro coinage, rendered in a clean, modern style emphasizing continental unity. The Maltese national reverse, designed by Noel Galea Bason, depicts the altar from the prehistoric Mnajdra Temples, a UNESCO World Heritage site. This choice reflects Malta's profound ancient heritage, rendered with archaeological precision. The stylistic school is contemporary numismatic design, balancing detailed national iconography with the cohesive aesthetic required for a multinational currency.
Technical/Grading: As a specimen strike, this coin exhibits superior technical qualities compared to its circulation counterparts. High points on the common side include the crisp delineation of the European landmasses and the numerical denomination. On the Maltese reverse, the intricate carvings and textures of the Mnajdra altar are exceptionally well-defined, showing full detail in the stone work. The strike is typically sharp and full, with minimal to no loss of detail even in the finest elements, indicative of carefully prepared dies and planchets, resulting in a pristine surface and lustrous fields.