5 Cents - George VI

Emitent Malaya
Rok 1948-1950
Typ Standard circulation coin
Nominał 5 Cents (0.05)
Waluta Dollar (1939-1953)
Skład Copper-nickel
Waga 1.41 g
Średnica 16.2 mm
Grubość 1 mm
Kształt Round
Technika Milled
Orientacja Medal alignment ↑↑
Rytownik(zy) Percy Metcalfe
W obiegu do
Źródło(a) KM#7, Schön#39
Opis awersu Crowned bust facing left
Pismo awersu Latin
Legenda awersu KING GEORGE THE SIXTH PM
Opis rewersu Value within beaded circle
Pismo rewersu Latin
Legenda rewersu COMMISSIONERS OF CURRENCY MALAYA 5 CENTS *1950*
Krawędź Reeded
Mennica
Nakład 1948 - - 30 000 000
1948 - Proof -
1950 - - 40 000 000
ID Numisquare 1516617610
Dodatkowe informacje

Historical Context: The 5 Cents coin of George VI from Malaya, issued between 1948 and 1950, marks a pivotal era in British colonial history. Circulating post-WWII, it served a recovering economy amid the nascent Malayan Emergency (1948-1960). This period saw significant political restructuring, including the 1948 formation of the Federation of Malaya, signaling the penultimate phase of direct British rule before independence. The coin thus reflects the economic stability Britain aimed to project amidst rising nationalist sentiments and insurgency.

Artistry: The obverse features the dignified bare head effigy of King George VI facing left, sculpted by Thomas Humphrey Paget, a prominent British medallist. This design aligns with the neo-classical regal aesthetic prevalent across Commonwealth coinage. The reverse, likely a Royal Mint design, presents a clear, functional layout: "5 CENTS" prominently above "MALAYA" within a central beaded circle, encircled by a simple wreath, with the date below.

Technical/Grading: Struck in copper-nickel, this 1.41-gram, 16.2-millimeter coin's key high-points for assessing strike and wear on the obverse include the hair above the King's ear and forehead. On the reverse, sharpness in the lettering of "5 CENTS" and "MALAYA," plus definition in the wreath's leaves and berries, are crucial indicators. Well-struck examples exhibit crisp details, while softer strikes or circulation wear first flatten these raised features.

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