カタログ
| 表面の説明 | Coat of arms of Trinidad and Tobago |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | CC TOGETHER · WE · ASPIRE · TOGETHER · WE · ACHIEVE FM |
| 裏面の説明 | Denomination surrounded by lettering, date below |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | TRINIDAD AND TOBAGO 5 CENTS · 1971 · |
| 縁 | Smooth |
| 鋳造所 |
Royal Mint (Tower Hill), London,United Kingdom (1810-1975) Royal Mint, Llantrisant, United Kingdom (1968-date) FM Franklin Mint (The Franklin Mint), Wawa, Pennsylvania, United States (1964-date) |
| 鋳造数 |
1966 - London Mint - 7 500 000 1966 - London Mint; Proof - 8 000 1967 - London Mint - 3 000 000 1970 - London Mint; Proof - 2 104 1971 - London and Llantrisant Mints - 2 400 000 1971 FM - Matte - 57 000 1971 FM - Proof - 12 000 1972 - Llantrisant Mint; Minted in 1972-1973 - 2 250 000 |
| Numisquare ID | 1288936370 |
| 追加情報 |
Historical Context: Issued by Trinidad and Tobago from 1966 to 1972, this 5 Cents coin signifies the early post-independence era for the nation, which gained sovereignty in 1962. It represents the establishment of a distinct national decimal currency, transitioning from the British West Indies dollar. The obverse features Queen Elizabeth II, acknowledging her role as Head of the Commonwealth and the constitutional monarchy during this period of national identity and economic autonomy.
Artistry: The obverse features Arnold Machin's acclaimed "Second Portrait" of Queen Elizabeth II, a realistic effigy widely adopted across Commonwealth coinage from 1964. The reverse, by an uncredited designer, showcases two stylized birds, commonly interpreted as the Cocrico (Tobago's national bird) and the Trinidad Motmot. This naturalistic depiction of indigenous fauna serves as a proud national emblem, symbolizing the rich biodiversity and distinct cultural identity of the newly independent republic.
Technical/Grading: Struck in bronze (97% copper, 0.5% tin, 2.5% zinc), this coin weighs 3.25 grams and measures 21.15 millimeters. For grading, high-points on the obverse include the Queen's hair and effigy details. On the reverse, critical areas for assessing strike quality and wear are the intricate feather details on the birds' heads, wings, and feet. Well-struck examples exhibit sharp separation of these elements; circulated pieces often show flattening due to the relatively soft bronze alloy.