Catalogo
| Emittente | Romania |
|---|---|
| Anno | 1867 |
| Tipo | Coin pattern |
| Valore | 5 Bani (0.05) |
| Valuta | First leu (1867-1947) |
| Composizione | Nickel |
| Peso | 7.52 g |
| Diametro | 25 mm |
| Spessore | |
| Forma | Round |
| Tecnica | Milled |
| Orientamento | Medal alignment ↑↑ |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | KM#Pn7 |
| Descrizione del dritto | Crowned arms with supporters within crowned mantle. |
|---|---|
| Scrittura del dritto | Latin |
| Legenda del dritto |
ROMANIA NIHIL SINE DEO (Translation: Romania Nothing without God) |
| Descrizione del rovescio | Value and date within wreath. |
| Scrittura del rovescio | Latin |
| Legenda del rovescio | 5 BANI 1867 WATT & Co |
| Bordo | Smooth |
| Zecca |
WATT & CO. James Watt & Co., Smethwick,United Kingdom (1860-1895) |
| Tiratura |
1867 WATT & Co - - |
| ID Numisquare | 7406944580 |
| Informazioni aggiuntive |
Historical Context: The 1867 5 Bani pattern originates from a transformative period in Romanian history. Domnitor Carol I, enthroned in 1866, swiftly initiated reforms to solidify national identity and sovereignty. The establishment of the Leu and Bani as national currency in 1867 was paramount, replacing a disparate array of foreign coinage. This pattern, preceding regular issues, underscores the nascent state's ambition to forge a modern, independent monetary system, embodying Carol I's vision for a unified and prosperous Romania.
Artistry: While the specific engraver for this pattern remains largely unrecorded, its design adheres to the neoclassical aesthetic common in mid-19th century European monarchical coinage. The obverse typically features a dignified portrait of Carol I, reflecting contemporary regal style. The reverse likely displays the denomination and year, possibly within a wreath or incorporating national symbols, executed with the precision expected of pattern strikes, emphasizing clarity and the emerging iconography of the Romanian Principalities.
Technical/Grading: Struck in nickel, a relatively novel coinage metal for the era, this pattern exhibits exceptional strike quality, often superior to subsequent circulation issues. High-points for grading typically include the highest relief areas of Carol I's hair and cheekbone on the obverse, and fine details within any reverse wreath or national emblem. The inherent hardness of nickel necessitated strong striking pressure, ensuring sharp details and well-defined edges. Pristine examples display full luster and minimal contact marks, indicative of its pattern status.