| 表面の説明 | Bust facing right and surrounded by legend. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
ELISABETHA · I · D · G · IMP · TOT · ROSS · (Translation: Elisabetha I Dei Gratia Imperatrix Totum Russorum Elizaveta I, with God`s grace, Empress of all Russia) |
| 裏面の説明 | Double-headed Russian eagles carrying Livonian and Estonian shields, all surrounded by legend. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
MONETA · LIVOESTHONICA · 1757 48 (Translation: Moneta Livoestonika Coin of Livoestonika) |
| 縁 | Cinquefoil and globe. |
| 鋳造所 | |
| 鋳造数 |
1757 - - 42 450 |
| Numisquare ID | 1098590420 |
| 追加情報 |
Historical Context: Issued in 1757 under Empress Elizabeth Petrovna (1741-1762), this 48 Kopecks piece reflects Russia's consolidating authority over the Baltic provinces of Livonia and Estonia. These territories, acquired after the Great Northern War, retained distinct monetary systems for a period, with this denomination likely serving as a transitional unit, possibly aligning with local thaler-based currencies. The "Krasny" designation refers to a specific mintmark, often a small eagle or star, typically associated with the Moscow Mint (Krasny Dvor), indicating its production for these provincial issues rather than St. Petersburg.
Artistry: The coin's design epitomizes the opulent Russian Baroque and early Rococo styles prevalent during Elizabeth's reign. The obverse features a highly detailed, draped bust of the Empress, characteristic of imperial portraiture of the era. The reverse displays the grand double-headed imperial eagle, adorned with crowns, scepter, and orb, bearing the St. George and Dragon shield. While specific engraver signatures are rare on these provincial issues, the dies were undoubtedly executed by master artisans at the imperial mints, reflecting the high standards and aesthetic sensibilities of the Russian court.
Technical/Grading: For optimal grading, attention must be paid to the intricate details of Empress Elizabeth's coiffure, the jewels on her crown, and the folds of her mantle on the obverse. On the reverse, the fine feathering of the imperial eagle, the details of the crowns, and the clear rendering of St. George slaying the dragon on the breast shield are critical. Sharpness of the Cyrillic legends and the date is paramount. High-grade examples will exhibit a full, even strike on these high-relief areas, minimal contact marks, and a strong luster, indicative of a well-preserved original surface.