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4500 Guaraníes Johann Wolfgang von Goethe
| Emittent | Paraguay |
|---|---|
| Jahr | 1973 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Medal alignment ↑↑ |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Latin |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | A detailed right-facing bust portrait of Johann Wolfgang von Goethe occupies the central field, rendered in high relief in the classical medallic tradition. The effigy depicts the celebrated German poet and polymath with naturalistic facial features and period-appropriate attire. The legend 'JOHANN WOLFGANG VON GOETHE' arcs along the upper rim, while the dates '· 1749-1832 ·' are inscribed along the lower rim, denoting the years of his birth and death. The portrait is executed with fine detail characteristic of commemorative gold coinage of the period. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Paraguay's 1973 gold commemorative series was issued under Alfredo Stroessner's dictatorship as a hard-currency revenue scheme aimed squarely at foreign collectors — the coins had virtually no domestic circulation and were produced explicitly for export sale. Goethe's inclusion in a Paraguayan commemorative series is purely commercial; the poet has no meaningful connection to the country.
KM#102 is part of a sprawling multi-subject issue that also featured figures including Abraham Lincoln and John F. Kennedy, underscoring that thematic coherence was never the point.