40 Francs Pattern

発行体 French Equatorial Africa
年号 1958
種類 Coin pattern
額面 40 Francs (40 FCFA)
通貨 CFA franc (1945-1960)
材質 Aluminium bronze
重量 8.08 g
直径 27 mm
厚さ
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Raymond Corbin
流通終了年
参考文献 KM#Pn6
表面の説明 African mask
表面の文字体系 Latin
表面の銘文 BANQUE D’EMISSION 40 FRANCS
(Translation: Currency Bank 40 Francs)
裏面の説明 Stylized motifs
裏面の文字体系 Latin
裏面の銘文 AFRIQUE CENTRALE
(Translation: Central Africa)
Plain
鋳造所 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 ND (1958) - - 33
Numisquare ID 2480046300
追加情報

Historical Context: The 1958 French Equatorial Africa 40 Francs Pattern emerges from a period of profound political transformation within the French colonial empire. With Charles de Gaulle's return to power in France and the establishment of the Fifth Republic, 1958 marked the year of a crucial referendum on the new French Community. While French Equatorial Africa voted to remain, this pattern coin reflects the administrative and economic considerations of a federation poised on the brink of significant change, anticipating potential currency reforms amidst the accelerating drive towards decolonization and the eventual independence of its constituent territories in 1960.

Artistry: As a pattern, this 40 Francs piece likely served as a trial strike, potentially exploring new denominational structures or design motifs for the federation. While the engraver remains undocumented for this specific pattern, the stylistic approach would have aligned with contemporary French numismatic trends, blending classical allegorical representations with symbols pertinent to the agricultural wealth or diverse cultures of French Equatorial Africa. The design would have aimed for clarity and authority, characteristic of colonial issues intended to project French influence while acknowledging local identity, even in a proposed, unadopted denomination.

Technical/Grading: Struck in aluminium bronze, a robust alloy weighing 8.08 grams and measuring 27 millimeters, this pattern coin exhibits characteristics typical of prototype strikes. Such pieces often display exceptional detail and a full, sharp strike, as they are produced under optimal conditions for evaluation. Key high-points for grading would include the intricate details of any allegorical figures, the sharpness of legends, and the relief of any agricultural or faunal motifs. The choice of aluminium bronze provided a durable, attractive medium suitable for widespread circulation, had the denomination been adopted.

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