カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Laureate and draped bust of Ferdinand VII facing right, rendered in the imaginary portrait convention characteristic of Spanish colonial coinage, wherein the effigy was produced from an idealized template rather than a direct likeness. The hair is bound by an elaborate laurel wreath, and drapery falls gracefully at the truncation. The circumferential legend FERDIN • VII • DEI • GRATIA • arcs around the periphery, interrupted by the bust, with the date appearing in the lower field. The entire design is framed by a fine toothed border. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | FERDIN • VII • DEI • GRATIA • 1815 • (Translation: Fernando VII by the grace of God) |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Fernando VII never set foot in the Americas, yet coins struck in his name circulated across Central America for over a decade while he was first held captive by Napoleon at Valençay and later consumed by the absolutist struggles reshaping Spain. The Guatemala mint continued striking in his name throughout — producing coinage for a colonial administration that was itself unraveling, as the independence movement that would end Spanish rule in 1821 gathered force during precisely these years.
The Casa de Moneda de Guatemala was the sole mint serving the Captaincy General, making it responsible for an enormous geographic territory with limited production capacity. Pieces from the later dates in this range were struck as the institution was transitioning to serve an independent state.