4 Kreutzers

発行体 Canton of Appenzell Innerrhoden
年号 1738
種類 Standard circulation coin
額面 4 Kreuzer = 1 Batzen (1⁄30)
通貨 Thaler (1737-1744)
材質 Billon
重量
直径
厚さ
形状 Round
製造技法
向き
彫刻師
流通終了年
参考文献 KM#32, HMZ 1#2-40
表面の説明 Rampant bear right in shield dividing value
表面の文字体系 Latin
表面の銘文 4 K MONETA REIP • APPENZELLENSIS • T
裏面の説明 ??? monogram.
裏面の文字体系 Latin
裏面の銘文 UNICUIQUE SUUM • 1738 •
鋳造所
鋳造数 1738 - -
Numisquare ID 6854320120
追加情報

Historical Context: The 1738 4 Kreutzers coin from the Canton of Appenzell Innerrhoden represents the enduring numismatic autonomy of the Old Swiss Confederacy's constituent states. In an era predating the centralized Swiss federal state, each canton, and even some cities, exercised the right to strike their own coinage. Appenzell Innerrhoden, a staunchly Catholic half-canton, maintained a direct democratic system (Landsgemeinde) rather than being ruled by a monarch. This period of the early 18th century was marked by relative internal stability in Switzerland, with such small denominations being vital for local commerce and daily transactions in a predominantly agrarian society, underscoring the canton's sovereignty and economic self-sufficiency.

Artistry: While the specific engraver for this modest denomination is typically unrecorded, the artistry reflects the functional and often conservative provincial Baroque style prevalent in Swiss cantonal coinage of the period. Designs for 4 Kreutzers coins from Appenzell Innerrhoden commonly feature the cantonal arms—a bear rampant—on the obverse, sometimes within a cartouche or shield, accompanied by the date. The reverse usually displays the denomination, often centrally placed within a simple wreath or linear frame, sometimes with the full or abbreviated name of the issuing canton. The aesthetic prioritizes clear legibility and symbolic representation over elaborate artistic flourishes.

Technical/Grading: Struck in billon, a low-grade silver alloy, the 1738 4 Kreutzers is inherently prone to technical challenges. Common issues include weak strikes, particularly on the higher relief elements such as the bear's fur or any intricate details within a wreath or legend. Planchet irregularities, such as uneven thickness or clipping, are also frequently observed. High-points for grading would include the bear's musculature and claws, and the crispness of the lettering and date. Due to the alloy's composition and the production methods of the time, examples with full, sharp detail across all elements are scarce, and wear often quickly obliterates finer design aspects.

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