Æ35 - Juba I

发行方 Numidia
年份 60 BC - 46 BC
类型 Standard circulation coin
面值
货币 Eastern Numidia from Micipsa`s death to the Roman annexation (118 BC-46 BC)
材质 Bronze
重量 31.4 g
直径 35 mm
厚度
形状 Round (irregular)
制作工艺 Hammered
方向
雕刻师
流通至
参考资料 GCV#6612
正面描述 Building, consisting of 2 stories, of which the main structure is supported by three telamones on plinths alternating with two Corinthian columns; above the architrave are three small aedicula, each flanked by columns and with indications of statuary within.
正面文字 Neo-Punic
正面铭文
背面描述 Octostyle temple.
背面文字
背面铭文
边缘
铸币厂
铸造量 ND (60 BC - 46 BC) - -
Numisquare 编号 2144460230
附加信息

Historical Context: This Æ35 bronze coin was issued by Juba I, the last independent king of Numidia, reigning from 60 BC to 46 BC. His rule coincided with the tumultuous final years of the Roman Republic, specifically the civil war between Pompey and Julius Caesar. Juba I strategically allied himself with Pompey, viewing Caesar's expansionist policies as a direct threat to Numidian sovereignty. His coinage, particularly these large bronzes, served as a powerful declaration of his regality and autonomy, asserting his authority over a vast North African kingdom.

Artistry: While specific engravers remain anonymous, the artistry of this Æ35 piece reflects a fascinating synthesis of Hellenistic influence and local Numidian identity. The obverse typically features a finely rendered portrait of Juba I, often idealized yet conveying a sense of royal gravitas, characterized by strong facial features and a distinctive hairstyle. The reverse commonly depicts a lion, a potent symbol of Numidia, or a temple, occasionally accompanied by Punic script. The overall style demonstrates a provincial yet sophisticated approach, aiming for monumental impact.

Technical/Grading: With a substantial weight of 31.4 grams and a diameter of 35 millimeters, this Æ35 module represents a significant monetary issue. Typical high-points susceptible to wear include the king's hair, nose, and chin on the obverse, and the raised elements of the reverse motif, such as the lion's mane or architectural details. Due to ancient hand-striking methods, strike quality can vary, with common observations including off-centering, uneven pressure distribution leading to weaker areas, and occasional flan irregularities or cracks. Well-centered examples with full details are highly prized.

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