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| 表面の説明 | ログイン して詳細を見る |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is printed in olive-grey tones and is dominated by a large diagonal guilloche band overlying the central panel, with a central oval cartouche bearing the text EL BANCO NACIONAL surrounded by multiple circular medallions with coat-of-arms vignettes arranged symmetrically across the field. The numeral 32 appears in an oval guilloche at the top centre, and the printer's imprint of Guillermo Kraft is visible along the lower margin. A large oval cancellation stamp reading MENDOZA is applied at the upper right. |
| 裏面の銘文 | 32 CENTAVOS EL BANCO NACIONAL Guillermo Kraft Reconquista 92 |
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| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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The denomination itself tells the story. "Chirolas" was street slang for the old 16-centavo silver coin, and this note was designed to circulate as two of them — a fractional instrument aimed squarely at working-class transactions during a period when small silver had largely disappeared from everyday commerce. The Banco Nacional issued several of these odd-denomination fractionals in 1880 precisely because metallic small change was chronically absent from Buenos Aires street trade.
Guillermo Kraft was one of the most active commercial printers in Argentina during this period, though not a specialist security printer in the European sense. That the Banco Nacional used a domestic Buenos Aires house rather than a London or Paris firm reflects either expedience or the modest security expectations attached to low-denomination fractional paper.