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3 Roubles The Temple of Virgin's Icon 'Joy to All the Lamenting'

Uitgever Bank of Russia
Jaar 2015
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Obverse: Alexander Vasilyevich Baklanov
Reverse: Alexander Nikolaevich Bessonov
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Cyrillic, Latin
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Against a mirror-polished field, a detailed relief depiction of a five-domed Orthodox cathedral occupies the centre of the composition. To the left, a fragment of the monastery's defensive wall is rendered in fine relief, while stylised trees divide the encircling inscriptions. The upper rim bears the legend ХРАМ ИКОНЫ БОЖИЕЙ МАТЕРИ «ВСЕХ СКОРБЯЩИХ РАДОСТЬ» (THE TEMPLE OF THE VIRGIN'S ICON 'JOY TO ALL THE LAMENTING'), and the lower rim carries the inscription СВЯТО-УСПЕНСКИЙ ДАЛМАТОВСКИЙ МОНАСТЫРЬ (DALMAT SAINT ASSUMPTION MONASTERY). Immediately beneath the cathedral, a two-line inscription in the field reads КУРГАНСКАЯ ОБЛАСТЬ (KURGAN REGION).
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

The Church of the Joy of All Who Sorrow on Bolshaya Ordynka in Moscow, to which this coin is dedicated, has a complicated ownership history — seized by Soviet authorities in 1919, briefly converted to other uses, and only returned to the Russian Orthodox Church in 1990 after decades of closure. The icon venerated there is associated with a reported miracle in 1688 involving the sister of Patriarch Joachim, a detail that cemented its status among the most revered Marian images in the Moscow patriarchate.

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