3 Pence - Elizabeth II 1st portrait

Émetteur Nigeria
Année 1959
Type Standard circulation coin
Valeur 3 Pence (1⁄80)
Devise Pound (1918-1973)
Composition Nickel brass (79% Copper, 20% Zinc, 1% Nickel)
Poids 3.24 g
Diamètre 19 mm
Épaisseur 1.4 mm
Forme Dodecagonal (12-sided)
Technique Milled
Orientation Medal alignment ↑↑
Graveur(s) Obverse: Cecil Thomas
Reverse: Paul Vincze
En circulation jusqu’à 1973
Référence(s) KM#3, Schön#34
Description de l’avers Crowned bust facing right
Écriture de l’avers Latin
Légende de l’avers QUEEN ELIZABETH THE SECOND
Description du revers Cotton plant
Écriture du revers Latin
Légende du revers FEDERATION OF NIGERIA 1959 P.V. THREE PENCE
Tranche Smooth
Atelier
Tirage 1959 - - 52 000 000
1959 - Proof - 6 031
ID Numisquare 1173534280
Informations supplémentaires

Historical Context: The 1959 Nigerian 3 Pence, featuring Queen Elizabeth II's 1st portrait, marks a critical juncture in Nigeria's history. Issued just a year before independence from British colonial rule in 1960, this coin represents the final phase of British West African Currency Board influence. It functioned as a key monetary unit during political transition, embodying the last vestiges of the colonial currency system. The Queen's effigy underscored the enduring, yet soon-to-be-severed, link to the British Commonwealth.

Artistry: The coin's obverse showcases Mary Gillick's distinguished first portrait of Queen Elizabeth II. This design, a hallmark of post-war realism, depicts the youthful monarch adorned with a laurel wreath, reflecting the prevailing stylistic school of British coinage. The reverse, likely from a Royal Mint engraver, employs a clear, functional aesthetic. It features the denomination "3 PENCE" and the date "1959" prominently within a beaded circle, encircled by "NIGERIA." This colonial design prioritizes legibility and practical utility.

Technical/Grading: Composed of nickel brass (79% Copper, 20% Zinc, 1% Nickel), this 3.24-gram, 19-millimeter coin generally exhibits a strong strike. For grading, critical high-points on the obverse include the Queen's hair above her ear and the delicate laurel leaves of her wreath. On the reverse, the sharpness of the central numerals and the integrity of the beaded circle are paramount. Well-struck examples display full definition in these areas, crucial for discerning higher grades and minimal circulation wear.

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