目录
| 发行方 | United Kingdom |
|---|---|
| 年份 | 1937 |
| 类型 | Fantasy coin |
| 面值 | 3 Pence (1⁄80) |
| 货币 | Pound sterling (1158-1970) |
| 材质 | Silver (.925) |
| 重量 | 2.17 g |
| 直径 | 16 mm |
| 厚度 | 1 mm |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | Obverse: Raphael David Maklouf Reverse: M. Kitchener |
| 流通至 | |
| 参考资料 | Giordano#FC6.1 |
| 正面描述 | Portrait of Edward VIII facing left, legend around, maker`s mark on truncation |
|---|---|
| 正面文字 | Latin |
| 正面铭文 |
EDWARDVS VIII DEI GRA : BRITT : OMN REX TM (Translation: Edward the Eighth by the Grace of God King of all Britons) |
| 背面描述 | Thrift design surrounded by the legend. |
| 背面文字 | Latin |
| 背面铭文 |
FID : DEF IND : IMP E R THREE PENCE 1937 (Translation: Defender of the Faith Emperor of India) |
| 边缘 | Plain |
| 铸币厂 | |
| 铸造量 |
1937 - Proof - |
| Numisquare 编号 | 3612043680 |
| 附加信息 |
Historical Context: The 1937 Edward VIII Pattern Thrift Floral Threepence represents a pivotal, albeit unfulfilled, moment in British numismatic history. Struck during the brief reign of King Edward VIII (1936-1937), this coin belongs to a series of patterns prepared for a monarch whose abdication prevented any official coinage from entering circulation. These patterns are exceedingly rare and offer a tangible glimpse into the planned coinage of an era defined by political upheaval and royal crisis, making them highly significant historical artifacts.
Artistry: The obverse features Thomas Humphrey Paget's distinctive uncrowned effigy of Edward VIII, facing left, a deliberate break from the traditional alternating orientation of monarchs. The reverse, likely designed by George Kruger Gray, showcases the "Thrift Floral" motif, depicting a sprig of thrift (sea pink) flowers, symbolizing the virtue of saving. This design embodies the early 20th-century British numismatic aesthetic, blending classical portraiture with a restrained, yet elegant, naturalistic reverse.
Technical/Grading: Struck in .925 fine silver, this 16mm pattern exhibits exceptional technical quality, typical of trial pieces. High-points to observe for wear or strike weakness include the king's hair and ear on the obverse, and the delicate petals and leaves of the thrift sprig on the reverse. A full strike would show complete detail in these areas, often accompanied by well-preserved fields due to their pattern status. Its silver composition contrasts with the nickel-brass circulating threepence introduced in 1937, highlighting its experimental nature.