3 Cash - Taihe Tongbao, Regular script

发行方 Great Jin
年份 1204-1208
类型 Standard circulation coin
面值 3 Cash
货币 Cash (1158-1216)
材质 Bronze
重量 8.47 g
直径 30 mm
厚度
形状 Round with a square hole
制作工艺 Cast
方向 Medal alignment ↑↑
雕刻师
流通至
参考资料 Hartill#18.60, FD#1656
正面描述 Four Chinese ideograms read top to bottom, right to left.
正面文字 Chinese (traditional, regular script)
正面铭文  泰 寶 通  和
(Translation: Tai He Tong Bao Taihe (3rd era of Zhangzong, 1201-1208) / Universal currency)
背面描述 Blank (uniface).
背面文字
背面铭文
边缘 Smooth.
铸币厂
铸造量 ND (1204-1208) - Hartill#18.60: Narrow rims -
ND (1204-1208) - Hartill#18.61: Broad rims -
Numisquare 编号 1610179040
附加信息

Historical Context: This 3 Cash Taihe Tongbao coin was issued by the Great Jin Dynasty under Emperor Zhangzong (Wanyan Jing) during the Taihe era (1204-1208). Zhangzong’s reign, while marked by cultural refinement and a flourishing of arts, also saw increasing pressure from the burgeoning Mongol power. The Taihe Tongbao series is distinguished by its varied denominations and high artistic merit, reflecting the Jin's assertion of imperial legitimacy and their sophisticated monetary economy in northern China, often in parallel with the Southern Song.

Artistry: The coin features the inscription "Taihe Tongbao" in elegant Regular script (kaishu), read in the traditional top-bottom, right-left sequence. While specific engravers are not recorded for these issues, the stylistic school demonstrates a robust yet refined aesthetic, drawing from Song prototypes but with a distinct Jin character. The characters are typically well-formed, balanced, and possess a strong calligraphic presence, indicating a deliberate effort towards high-quality numismatic design for official currency.

Technical/Grading: Struck in bronze, this substantial 30mm, 8.47g piece would ideally exhibit sharp, well-defined characters, with the high-points being the raised strokes of the inscription and the inner and outer rims. A superior technical strike ensures full detail on all four characters, particularly the intricate radical elements, and a well-centered planchet. Wear would first manifest on the central strokes of "Tai" and "Tong," as well as the highest points of the rims, diminishing the clarity of the calligraphy.

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